The Morning After: Welcome to the Horror-Dome
The playoff picture that is and the playoff picture that should be The Morning After is a weekly column that tracks the idiotic, irreverent, insignificant and interesting stories from the Chiefs and the National Football League. There's other stuff too. Like movie reviews, soccer news and music for awesome people. It also goes on for a little bit longer that it should and is pretty much the standard for pointless and snarky rehashing of the weekend of sports in KC.

The List (The Sequel): Five move overlooked movies of the 2000s
In this week's edition of "Is It On the List?" I took a look at 11 movies from the past decade that I feel are overlooked, under-rated or just flat out forgotten. You can go read that list by following this here different colored type. I asked a few friends* to help me come up with what could pass for a comprehensive list and they delievered. Big time. So much so that I had to kick five very forgotten/overlooked movies out of the official Top 10.

TV talk: Boring and stale is no way to get my attention
How did they ruin something as easy as "V"? Beginning of a running feature on this blog or a one-time deal that I'll fail to continue in about three weeks time? I'll let you make that call. Not too long ago, I said that I was putting all of my hopes for an average Fall TV season in the hands of the miniseries "V." Um, yeah, whoops. It's looking like the show is a colossal waste. At least, it will continue to suck unless the show's writers revisit

The Morning After: Worst. Game. Ever.
I don't mean to crap on a positive, but Chiefs-Raiders was insulting to football. The Morning After is a weekly column that tracks the idiotic, irreverent, insignificant and interesting stories from the Chiefs and the National Football League (and maybe some other sports).

The List: The 10 best apocalypse flicks
The ultimate conflict and the possible collapse of society deserve some kind of list, right? Director Roland Emmerich seems to have a serious stiffy for global annihilation. When his new flick, “2012,” opens Friday, it will be the fifth time he’s tried to put the world in peril (the others: “Independence Day,” “Godzilla,” “The Day After Tomorrow” and “10,000 B.C.,” which risked the revolt of people who paid to see it). He makes pretty disasters. But his movies, with the exception of “Independence Day,” focus on special effects and the “wow” factor w